黃志豪(Noble Wong)，香港壁畫家、插畫家及寫生創作者。

 

他以城市為畫室、街道為模特，在光影與人群之間捕捉屬於地方的色彩。對他而言，寫生不僅是觀看城市的方法，也是與歷史、建築和文化細緻對話的途徑。

 

他畢業於香港理工大學多媒體碩士課程，畢業動畫短片《小流星》曾於 SIGGRAPH Student Exhibition 2008 及第二屆香港流動影片節等展出。自二零一四年起投入寫生創作，持續活躍於不同寫生團體。二零一五年創立 Noble Sketchbook，成為全職插畫及壁畫創作者；二零一八年及二零二六年分別出版畫冊《蒐集香港日常》及《絮語》，以水彩及速寫記錄城市日常風景。

 

他曾參與多項公共藝術及壁畫計畫，包括鐵閘畫城市閘誌、西營盤藝里坊壁畫、上海街 618 壁畫、科技大學壁畫、馬灣1868 壁畫及「大館」壁畫等；亦曾與台灣電影發行商合作，於台北繪製《花樣年華》壁畫。在英國期間，他也曾為餐廳創作以舊香港為主題的壁畫。

 

插畫合作單位包括恆基地產、信和地產、大新銀行、屈臣氏集團、百佳超市、保良局、鴨靈號、科技大學、香港大學、市區重建局及多個政府部門等。他亦曾兩度與中英劇團合作，為舞台劇《解憂雜貨店》及《近鄉途情怯》繪製主視覺插畫。

 

他持續探索不同主題、風格與媒材，遊走於寫生、插畫與壁畫等創作形式之間；近年亦投身教學，分享創作經驗。

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Wong Chi Ho (Noble Wong) is a Hong Kong mural artist, illustrator, and urban sketcher.

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He captures the colours of place amid light, shadow, and crowds. For him, sketching is not only a way of observing the city, but also a means of engaging in a careful dialogue with history, architecture, and culture.

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He graduated from the Master of Multimedia programme at The Hong Kong Polytechnic University. His graduation animated short film, Shining Stars, was shown at the SIGGRAPH Student Exhibition 2008 and the 2nd Hong Kong Mobile Film Festival, among other events. Since 2014, he has devoted himself to sketching and has remained active in various sketching groups. In 2015, he founded Noble Sketchbook and became a full-time illustrator and mural artist.

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He has participated in a range of public art and mural projects, including Urban Canvas, a project painting mural on metal shop shutters; murals in Sai Ying Pun Artlane, 618 Shanghai Street, The Hong Kong University of Science and Technology, Ma Wan 1868, and Tai Kwun; and many others. He also collaborated with a Taiwanese film distributor to paint an In the Mood for Love mural in Taipei. During his time in the United Kingdom, he also created murals for restaurants on the theme of old Hong Kong.

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His illustration collaborators include Henderson Land Development, Sino Group, Dah Sing Bank, Watsons Group, PARKnSHOP, Po Leung Kuk, Dukling, The Hong Kong University of Science and Technology, The University of Hong Kong, the Urban Renewal Authority, and various government departments. He has also collaborated twice with Chung Ying Theatre Company, creating key visual illustrations for the stage productions The Miracles of the Namiya General Store and Homecoming.

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He continues to explore different themes, styles, and media, moving between creative forms such as sketching, illustration, and mural art. In recent years, he has also become involved in teaching, sharing his creative experience with others.